The Bayx Tapestry, which is a document of England’s Norman invasion in 1066, will be closed to the public in France from Monday, as the opposition moves beyond London’s move.
The next time it will be possible to see the work of about 1,000 years old of art when it is displayed in the British Museum in September next year.
However, the world of French art is strongly opposed to this project, experts who are afraid of a 70-meter-length (230 ft) work have greatly delicated a state to take to the channel.
French President Emmanuel Macron and Prime Minister Sir Kir Stmper met in London in July when he announced the loan.
Before the closure of September 1 in the last few weeks, the Bayx Museum has seen a major increase in the visitor number.
A new display area is being created for the tapestry, which will take at least two years.
Closure – Long Planned – gave Macron an opportunity to do his work of cultural diplomacy, making France committed to lending to Tapestry at the British Museum for a year from next September.
But that promise has started an outrage with many people in the world of French art.
A petition – which describes the loan as a cultural offense – has signed 60,000.
Whatever resentment has been expressed by many opponents is a high-level way they feel that Macron decides to indicate her in Britain, overriding the advice of experts who say that unnecessary vibrations in long journey can cause unavoidable damage to the long journey.
On August 22, a French officer, while overseeing the loan, defended the move, saying that Artifact was not very delicate for transportation.
Philip Belvell said no decision was yet taken how to transport the tapestry, but early this year highlighted a study that made detailed recommendations about handling and transportation.
“This study does not suggest that this tapestry is untrue, saying the AFP news agency. He did not reveal the authors of the study or their findings.
Cesil Binet, advisor to a regional museum in Normandy, said in a YouTube post in February this year that the tapestry would be “a risk for its conservation”, saying that it was “very delicate”.
Vishal embroidery – which was widely built in Kent – will be displayed in London to July 2027 from the next autumn.
In turn, Treasures will travel to museums in Normandi, including Sutton Hu and the 12th-century Lewis chess pieces from Anglo-Saxon Dafan Mound in the Anglo-Saxon Maund.
The Bayeux Tapestry, which is back in the 11th century, charts the time of contesting an election in Anglo-French relations, as the Anglo Saxon Dominance was replaced by the Norman rule.
Although the last part of the embroidery is missing, it ends with the Anglo Saxon that escapes at the end of the Hastings battle in 1066.
Its 58 scenes, 626 characters and 202 horses give a unique account of medieval period in Normandi and England, not only information about military traditions but also about the precious details of daily life.
