Bayeux Tapestry is shown as a loan in the British Museum

Bayeux Tapestry is returning to Britain after more than 900 years of its construction, the culture, media and sports department has confirmed.

The 70 -meter long work, which tells the story of Norman Vijay of England in 1066, will be given a loan in a historic agreement signed between French and British governments.

Huge embroidery – which was widely built in Kent – will go on a performance at the British Museum in London.

In turn, Treasures will travel to museums in Normandi, including Sutton Hu and the 12th-century Lewis chess pieces from Anglo-Saxon Dafan Mound in the Anglo-Saxon Maund.

George Osborne, president of the trustees of the British Museum, exhibited the BBC, “Our generation blockbuster show will be” – such as Tutankhamun and terracotta warriors in the past.

Prime Minister Kir Stmper and French President Emmanuel Macron is expected to officially announce the deal at Windsor Castle on Tuesday evening.

Culture Secretary Lisa Nandi called the loan “a symbol of our shared history with our friends in France, a relationship for centuries and one that continues to bear”.

The Bayeux Tapestry will be displayed from September 2026 to July 2027, while its current house, Bayeux Museum is being renewed. The 1000th anniversary of William’s birth is also in 2027.

In 2018, a loan was suggested between President Macron and the then Prime Minister Theresa May. It has been taken up to 2025 to become a reality.

Bayeux Tapestry, which is back in the 11th century, gives more competition in Anglo-French relations, as Anglo Saxon Dominance was replaced by the Norman rule.

Although the last part of the embroidery is missing, it ends with the Anglo Saxon that escapes at the end of the Hastings battle in 1066.

Its 58 scenes, 626 characters and 202 horses give an account of medieval period in Normandi and England, such as no one else, not only gives information about military traditions, but also a precious details of everyday life.

This work has inspired many people for centuries, including artist David Hawkney, whose chakra in Normandi, reflecting the chakra of the season, impressed the Beyx Tapestry.

Director of the British Museum, Nicholas Kulinen said: “This is the absolutely same international partnership that I want we champions and participate in: to share our collection as widely as possible – and in return in return it was never seen before.”

The Eagle-Idered Watches of the British Museum can see this latest announcement as a template offering to discuss the future of Parthenon sculptures with the Greek government.

The Parthenon Project, a group that advocates for the return of classical marble sculptures to Greece, suggested what they say a “win-win” solution, from which it was never seen before that items from Greece were brought to the British Museum in exchange for the Parthenon works.

Today’s focus is close to the house and is an exhibition that the British Museum hopes that it will be one of the most popular, once a generation show.

Each British school children learn about King Herold, William the Concormer and 1066.

As Osborne said: “There is no other single item in British history that is so familiar, so studied in schools, so art has been copied as a beauty tapestry in art.

“Still it has never returned to these banks in about 1,000 years.

“Next year it and many, many thousands of visitors, especially school children, will see it with their eyes.”